Decadent. Robotic. Thinly constructed with self-indulgent metaphors. No, I do not like Ocean Vuong’s new collection of poems, Time Is A Mother. In fairness, I am biased and motivated because of a breathless, over-the-top review of Vuong’s first book, Night Sky with Exit Wounds, published in the New Yorker in 2016. That hyperbolizing reviewer claimed that Vuong would somehow “fix” the English language. Nonsense.
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