When tonality
rides along the surface in poetry the results often appear strangely profound.
In Thomas DeFreitas’ new book, Swift River Ballad, the poet pilots his paper
boat of sorts down a torrent of uplifting canticles and unsettling hymns,
seeking the truth, but missing the dangerous rocks and eddies along the way.
DeFreitas stops his readers in their too comfortable tracks with curiously numinous images and sacerdotal references. His technique strikes one as unusual (in the sense of modern verse) and new. Depth is never a problem here. The poet’s perfect pitch phraseology allows submergence into subconscious levels when necessary and proper in an emotive sense. For more of my review of Swift River Ballad go here: https: dougholder.blogspot.com/2023/10/swift-river-ballad-poems-by-thomas.html
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